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The Tower, from the Rider–Waite–Smith tarot of 1909

MAJOR ARCANA · TRUMP XVI

The Tower

Tarot card meaning

upheavalrevelationsudden change

UPRIGHT

Sudden upheaval, revelation, collapse of false structures.

REVERSED

Averted disaster, fear of change, delayed collapse.

The card

Lightning strikes a tall tower on a rocky peak, knocking off its crown. Flames burst from the windows and two figures fall headlong.

The Tower is trump XVI of the twenty-two trumps of the Major Arcana.

In the Golden Dawn's attributions it carries the Hebrew letter Peh (פ), “mouth”, and the planet Mars. On the Tree of Life it is path 27, joining Netzach and Hod.

In Aleister Crowley's Thoth tarot: The Tower, XVI.

In Waite's words

Arthur Edward Waite designed the deck that Pamela Colman Smith drew, and explained it in The Pictorial Key to the Tarot (1911). His text, with his spelling:

DIVINATORY MEANINGS Misery, distress, indigence, adversity, calamity, disgrace, deception, ruin. It is a card in particular of unforeseen catastrophe.

REVERSED According to one account, the same in a lesser degree; also oppression, imprisonment, tyranny.

The picture and its symbolism

Occult explanations attached to this card are meagre and mostly disconcerting. It is idle to indicate that it depicts ruin in all its aspects, because it bears this evidence on the surface. It is said further that it contains the first allusion to a material building, but I do not conceive that the Tower is more or less material than the pillars which we have met with in three previous cases. I see nothing to warrant Papus in supposing that it is literally the fall of Adam, but there is more in favour of his alternative—that it signifies the materialization of the spiritual word. The bibliographer Christian imagines that it is the downfall of the mind, seeking to penetrate the mystery of God. I agree rather with Grand Orient that it is the ruin of the House of Life, when evil has prevailed therein, and above all that it is the rending of a House of Doctrine. I understand that the reference is, however, to a House of Falsehood. It illustrates also in the most comprehensive way the old truth

that "except the Lord build the house, they labour in vain that build it."

There is a sense in which the catastrophe is a reflection from the previous card, but not on the side of the symbolism which I have tried to indicate therein. It is more correctly a question of analogy; one is concerned with the fall into the material and animal state, while the other signifies destruction on the intellectual side. The Tower has been spoken of as the chastisement of pride and the intellect overwhelmed in the attempt to penetrate the Mystery of God; but in neither case do these explanations account for the two persons who are the living sufferers. The one is the literal word made void and the other its false interpretation. In yet a deeper sense, it may signify also the end of a dispensation, but there is no possibility here for the consideration of this involved question.

A. E. Waite, The Pictorial Key to the Tarot (London: William Rider & Son, 1911), Part II § 2 and Part III § 3. Public domain; text from the 1922 printing on Wikisource.

Related cards

The numbered cards it governs

Two of Wands: a decan ruled by Mars · Seven of Wands: a decan ruled by Mars · Five of Cups: a decan ruled by Mars · Ten of Cups: a decan ruled by Mars · Nine of Swords: a decan ruled by Mars · Three of Pentacles: a decan ruled by Mars

In three historical decks

The same card as it was painted in fifteenth-century Milan, printed in the French pattern of the Tarot de Marseille, and drawn by Pamela Colman Smith for the Rider–Waite–Smith deck.

Lost: this card of the deck has not survived.
Visconti-SforzaMilan, mid-15th century
The Tower in the Tarot de Marseille tarot
Tarot de MarseilleParis (Lequart), c. 1890
The Tower in the Rider–Waite–Smith tarot
Rider–Waite–SmithLondon, 1909

In the Tarot de Marseille: La Maison Dieu, XVI.

Learn more in the lessons

Images: Pamela Colman Smith, 1909 (public domain); the RWS1909 scans on Wikimedia Commons. Lequart, Paris, c. 1890 (public domain); scans from the Bibliothèque nationale de France (Gallica), via Wikimedia Commons. Attributed to Bonifacio Bembo, mid-15th century (public domain); scans by David Madore, via Wikimedia Commons.